Silvia Ros

Unseen Miami
Location: Miami, Florida
Nationality: Cuban American
Biography: Silvia Ros is a Cuban-American, Miami-based photographer with a master’s degree in architecture. After a decade as a museum photographer, she launched a freelance career, concentrating not only on her own creative projects such as... read on
Miami is famous for its beaches, art deco, Miami Vice and the fiery cocaine wars of the 1980s. People wax poetic about their love for Miami’s weather, but don’t address that it is unbearably hot ten months out of the year. They drive from their air-conditioned house, to their air-conditioned office, and it would never occur to them to walk more than a block.  Through the window of one’s car entire neighborhoods and communities have become invisible, but it hasn’t always been this way.  
Miami, the youngest and only major American city founded by a woman, grew quickly, but also in fits and starts. Nicknamed the Magic City, Miami has faced environmental and social obstacles that have shifted the landscape and energy of the city. While the city originally grew around the railroad, it was later divided by highways, and has continuously edged into the Everglades.
Neighborhoods, which once flourished with small businesses on formerly pedestrian friendly streets, are now shuttered or limping along. The bright advertisements hand painted on the exterior walls and empty framed signs highlight the absence of what once was. Each building communicates to the past and the present.
Slim concrete eyebrows still hover delicately, sometimes dangerously, over entrance doors, protecting people from the unending sun or the seasonal downpours. But the advent of air-conditioning made windows obsolete and as crime rates went up windows were imprisoned behind bars, painted over or enclosed entirely.
As technology changed and the neighborhoods (d)evolved, so did the composition of the structure. Decades of harsh weather haven’t beaten down the latent vitality of these streets. What they once were and what they are now will only add to the layers of their story, stoically offering context through history and personality. The shifting histories are detailed, ­­­­­­­­­­each visible like the layers of garish paint.

Also by Silvia Ros —


The Flag

By Silvia Ros / american legion post 67, miami, fl — I have always been fascinated by the American Legion. You see unique outposts wherever you go, all across..

Miami, Black Lives Matter Protests

By Silvia Ros / Miami,Fl — Miami has not had the largest or most volatile protests since the death of George Floyd at the hands of the..

Election 2020: Miami

By Silvia Ros / Miami, Fl

Post 67

By Silvia Ros — I have been photographing the American Legion Post 67 in North Miami for several years. As a Cuban-American..

National LGBTQ Documentation Project

By Silvia Ros — 72 Normal 0 false false false EN-US X-NONE X-NONE st1\:*{behavior:url(#ieooui) } /* Style Definitions */..

In The Ring

By Silvia Ros / South Florida — In the Ring: The Art of Boxing 2003-2008 It is not superficial thing, a fad or moment of a generation...

Catch as Catch Can: The American Rodeo

By Silvia Ros / South Florida

Miami Beach Womens Club

By Silvia Ros / Miami Beach, Fl — In 1926, Miami Beach was a budding resort town on a barrier island, off the coast of the growing metropolis..

Photographing Cuba: My Myth, My Reality

By Silvia Ros — My mother left Havana in 1961, after the family tobacco farm was nationalized. She was a teenager when she..

Hold Fast

By Silvia Ros — Thematically my work frequently features individuals willing to take extreme risks to live a genuine and..
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