Juan Pablo Ampudia

Documentary Photographer
    
TO DWELL IN THE AFTERMATH OF VIOLENCE
Location: Merida, Yucatan, Mexico
Nationality: Mexican
Biography: Born in Jalisco in 1985, Mexican photographer Juan Pablo Ampudia currently lives between Yucatán and Mexico City. His work focuses on the aftermath of different social and environmental issues around Latin America, with a particular... MORE
Public Story
TO DWELL IN THE AFTERMATH OF VIOLENCE
Copyright Juan Pablo Ampudia 2024
Date of Work Jul 2018 - Aug 2018
Updated Feb 2022
Topics Abandonment, Abuse, Activism, Belief, Children, Confrontation, Discrimination, Documentary, Domestic Violence, Editorial, Family, Fear, Freedom, Hope, Human Rights, Illegal Trafficking, Landscape, Loss, Minority, Oppression, Photography, Photojournalism, Portraiture, Prostitution, Rape, Relationships, Sexuality, Still life, Violence, Womens Rights
In the provinces of India, in rural and urban areas, women who have been victims of sexual assault live out their lives, not only trying to cope with the aftermath of this traumatic experience but also with stigma, social judgment, and seclusion. India, according to the Thomson Reuters Foundation, is the most dangerous country in the world to be a woman. Every day hundreds of girls and woman are exposed to sexual violence, human trafficking and sexual and domestic enslavement. This remains not just a problem of gender inequality, but also as one of class, caste, and political and economic power. All these elements together speak to a threat that often brings silence and idleness, and unfortunately, makes seeking justice an endlessly painful, and complicated path.



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TO DWELL IN THE AFTERMATH OF VIOLENCE by Juan Pablo Ampudia
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