Maranie Staab

Photographer + Journalist + Videographer
     
The Protest Photos You Don't See
Location: Portland, Oregon
Nationality: American
Biography: Maranie is an independent photographer, videographer and journalist currently based in Portland, Oregon. Her work focuses on human rights and social justice issues, social movements, displacement and the impact(s) of conflict on individuals and... MORE
Private Story
The Protest Photos You Don't See
Copyright Maranie Rae 2024
Updated Nov 2021
Topics Action, Activism, Belief, Black and White, Capitalism, Civil Rights, Community, Conflict, Confrontation, Documentary, Editorial, Essays, Ethnic minorities, Freedom, Human Rights, Journalism, Media, Minority, Photography, Photojournalism, Politics, Protests, Race, Racism, Reporting, Revolution, Video, Youth
The media plays a critical role in how the public perceives protests.

The words used, images published, and information disseminated directly affect public support and ultimately if and what societal and policy changes are made.

For photographers and photo editors, the decision of what images to share and what to hold back matters. Context matters. Language matters. With this influence, there is a responsibility to shun simplistic narratives. A failure to recognize and respect that responsibility has real and lasting consequences.

A "protest photo" has come to evoke a specific type of image; this depiction is often an incomplete, harmful trope. Those gathered to protest are portrayed as a single entity—"protesters"—or worse, as criminal, depraved, and a fringe group with ludicrous demands. The images centered are of sensational moments—an act of violence, a depiction of an (often Black) protester yelling or displaying heightened emotions or some form of property destruction.

We've all seen these photographs.

While such an image may represent a moment, it is but part of the story. This simplification suggests that chaos and vandalism have defined the protests, rather than the demand that law enforcement stops killing Black people.

What is often missing are quiet moments, joyous and tearful embraces, names, and humanizing details that might connect us to those who can otherwise seem unfamiliar and distant. This omission does little but characterizes the experience of others as alien and unrelatable, fueling existing division, creating others, and furthering an absence of empathy. Simplistic reporting is a failure and disservice to the American public and aids in the erosion of trust in the press.

As a journalist, our first role is to hold power accountable. Beyond that, the aim is to add nuance to an often simplistic depiction of a set of societal issues that have and will continue to define our time.

Comprised of a collection of images made in Pittsburgh, Portland, Syracuse, and Rochester, this effort aims to challenge an industry [and readership] and about bridging the chasm between what is widely reported and the ground truth. It is about adding nuance, intimacy, and humanity to "protest reporting."
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The Protest Photos You Don't See  by Maranie Rae
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