Hiroshi Okamoto

Photographer, Video editor and Videographer
We do not need you, here. / If I could only fly.
Location: Tokyo, Japan
Nationality: Japanese
Biography: Hiroshi Okamoto Visual Storyteller / Photographer / Film Director – based in Tokyo. Hiroshi Okamoto is born in Tokyo in 1990. He studied anthropology and social sciences at Ritsumeikan Asia Pacific Univesity in Japan. After graduating, he used... MORE
Public Story
We do not need you, here. / If I could only fly.
Copyright Hiroshi Okamoto 2023
Date of Work Mar 2016 - Ongoing
Updated Nov 2018
Location Japan
Topics Abuse, Conceptual, Confrontation, Documentary, Intolerance, Photography

This project is the story about intolerance towards others in contemporary Japanese society based on my friend's personal experience.

On April 2004, three Japanese citizens were kidnapped by terrorists at Fallujah in Iraq during Iraq war. One was a photojournalist and one was a NGO worker, another was an eighteen years old teenager volunteer. The eighteen years old boy, Noriaki Imai's life and my life unexpectedly crossed when we attended same university in Japan in 2009, where we became friends. This is his story.

The terrorists demanded Japanese government to withdraw Japanese self-defense forces from Iraq. The prime minister strongly rejected this demand but somehow, those kidnapped people were peacefully released after eight days. As a result, the three citizens could come back to Japan safely. 

However, when those three people returned to Japan, Japanese society completely criticized and harassed them.  Mass of people loudly spoke against the kidnapped people and their family. The society claimed that they haven't taken responsibility for their actions at all, and that they need to apologize to the Japanese government and people in Japan immediately for causing such enormous trouble to a country. Furthermore, people often shouted "Why did our tax money had to be spent on their rescue, when this kidnapping happened because of those foolish three people's lack of self-responsibility!" 

More than one hundred abusive letters were sent to my friend, Noriaki, after his return. However more than 95% of the letters were anonymous. Most of TV shows and newspapers were often furiously reporting about his personal life and his family. In addition, his private information was exposed to the public by mass medias and anonymous online critics. When he was walking in the city, everyone noticed his face and they would literally point fingers at him as "That's that stupid, unpatriotic kid!" He even got beaten up by a stranger on the street.

Pointing a finger at someone's back means "backbiting" in Japan. This behavior is deeply rooted into traditional Japanese society and it is one of the iconic mind sets Japanese people have. 
Traditionally, Japanese society has been based on various local communities for a long time.  And people have lived in their own community side by side helping each other. On the other hand, once a member from the community makes mistakes or causes troubles, immediately, other members will eliminate the person from their community.

When we see a heretic individual, who disturbs the harmony of community, we point at their back.
Sometimes, it is for social justice.
Sometimes, it is for gassing out unfounded hatreds.
And sometimes, it is for something to entertain ourselves with in a mundane everyday life.

You could become the person who points at someone or whom to be pointed at, as long as you are a member of our society

*The main portrait series consists of the actual abusing letters, which my friend really received from anonymous critics after coming back to Japan and the fictional portrait images of anonymous critics then. When my friend was criticized and abused from all society, he often faced this kind of situations anywhere in the country. When he was on the street, restaurant, station, anywhere in the city, people really pointed him as a sinful and iconic individual against our society. 

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