Purchase the body project by Lisa Spencer, Melinda McIntyre
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Editorial Use Only
Use the asset for editorial purposes only, including news and magazines.
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960.00
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Digital Media
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Circulation up to 10,000
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Worldwide Print Distribution (Global usage)
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Extended License Duration: 10 Years
License is valid for 10 years from purchase date. DETAILS
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Commercial Use
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1,360.00
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Social Media (less than 50,000 followers)
Use the asset on social media (only), including social media post, advertising, and boosted posts for accounts with less than 50,000 followers at the time of license purchase. DETAILS
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Digital Advertising
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Streaming and Broadcast usage
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Catalog or Printed Material Interior
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Printed Merchandise
Use the asset on printed merchandise, including apparel, coffee mugs, furniture, luggage, packaging, food & beverage, and other goods for sale. DETAILS
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Circulation
Circulation up to 500,000
Print circulation up to 500,000. DETAILS
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Region
Worldwide Print Distribution (Global usage)
Worldwide print distribution, global usage. DETAILS
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Duration
Extended license duration: 10 Years
License is valid for 10 years from purchase date. DETAILS
Included
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the body project
Story
Includes 34 images
Credit: Lisa Spencer, Melinda McIntyre via Visura
Asset ID: VA103867
Caption: Available
Copyright: © Lisa Spencer, Melinda McIntyre, 2024
Collection: Personal
Topics: Collaboration Diptych Feminine Gaze Human Form Personal Self Portrait

Lisa Spencer

Based in Winchester, MA

Lisa Spencer is a photographer and writer based in Winchester, MA.  She specializes in documentary storytelling.  Award-winning and internationally published, her work has been featured several books (Mozambique Mosaic, 2012...
About Catalog
Also by Lisa Spencer, Melinda McIntyre —
In 2022, my friend and fellow photographer Melinda McIntyre reached out with an idea for a collaborative diptych project.  The concept was that each of us-- both mothers, women, and photographers in our late thirties-- would shoot a series of self portraits weekly, focusing on a different body part each week.  Melinda would draw the weekly prompt from a hat, we would have five days to shoot, then I would work to combine the images.  There were no restrictions or instructions when it came to shooting-- any camera, lighting scheme, or concept was game.  But we kept our ideas secret from one another and only revealed our weekly work when it was time to collaborate.  

Often, the results were surprising.  Sometimes our work was nearly identical.  Sometimes it was wildly dissimilar.  Always, though, there was a connecting thread between the two sides that created a new narrative, and the diptychs came together.  Each diptych tells its own story, greater than the sum of the individual images, and greater than the original intent of the individual photographer.  When the work is viewed all together, the meaning is magnified again-- this time, showcasing the entirety of the female form as greater than the sum of its parts, a kaleidoscope of color, shape, and motion-- and all through the purely female lens.