Stanislava Georgieva

Photographer
'Nomads'
Biography:         Stanislava Georgieva is a Bulgarian born photographer who completed her Bachelors degree in Fine Arts with a Photography major from the School of Visual Arts in New York City in May 2010. Her current... MORE
Public Story
'Nomads'
Copyright Stanislava Georgieva 2024
Updated Jul 2010

'Номади: Nomads'

        The work ‘Nomads’ or 'Номади: Nomads' explores and documents, single Bulgarian men living and working in New York City. Most of these men work in the financial sector of Manhattan. All these images are made in their sparsely furnished apartments.

        The personal spaces of these single men symbolize the life of a person who is not settled down, moving from one place to another, like a nomad. This work shows the interiors of these people everyday lives. As single men and immigrants they are unsettled and there is a feeling of displacement. The nomadic ‘resident’ brings up questions about home and identity. I photograph these men when they eat, when they dress for work, when they are alone by themselves, isolated from the rest of the world, lost in their thoughts. I try to capture an ordinary moment that becomes a reflection of being in between two worlds, one in reality and the other in memory.

        The Czech writer Milan Kundera explains the concept of nostalgia and living between the past and the present. In his novel ‘Ignorance’ he writes: "In that etymological light nostalgia seems something like the pain of ignorance, of not knowing. You are far away, and I don’t know what has become of you. My country is far away, and I don’t know what is happening there." For someone who has moved from one place to another their mental or physical state create an illusion that what has been in the past is the same in the present, but actually things are very different, as time brings an inevitable change.

         I have been exploring social, existential and psychological issues in daily life, through exile, gender and sexuality. The exterior and interior in my work are metaphors for these problems. In my photography this is shown through a voyeuristic approach of the subject where the forth wall is completely ineffective.

        The entire project is presented in diptychs, two images of the same man. Those diptychs show the passage of time between one another. They represent immigrants’ life as a state of moving from one place to another mentally and physically. Being an immigrant is not a fixed identity, it is about the process that is happening in time from past to present.

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