Juan Giraldo

Art & Documentary Photographer / Based in Brooklyn

Juan Giraldo is a photographer currently living and working in Brooklyn, New York; he received his MFA in May of 2015 from Columbia College’s photography department. He was born in Manizales, Colombia and raised in Paterson, New... read on
Focus: Art, Artistic
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About
Juan Giraldo is a photographer currently living and working in Brooklyn, New York; he received his MFA in May of 2015 from Columbia College’s photography department. He was born in Manizales, Colombia and raised in Paterson, New Jersey. He received his BFA with a concentration in photography in May of 2009 from William Paterson University. Awards include The Center for Photography at Woodstock A-I-R Program,Dwight D. Follett Fellowship Full Tuition Award from Columbia College Chicago, Honorable Mention in, En Foco’s, People Places and Things. Exhibitions include, Flesh/Water, Curated by Kelly Ciurej, University of Hawaii, Honolulu, HI, HATCH, Curated by Zora J Murff MEDICI Gallery, Richards Hall University of Nebraska, Lincoln NE, Context: Art & Documentary, Curated by Noah Addis, Perspective Gallery, Evanston, IL, Photoville, Brooklyn, NY, Photolucida: Critical Mass Top 50, Curated by David Rosenberg, Artwork Network Gallery, Denver, CO Eyes on Main Street, Curated by Régina Monfort & Jerome Deperlinghi, Wilson, NC, Aqui, Perspective Gallery, Evanston, IL, Art Now 2016: New Directions in Contemporary Photography, Ann Arbor Art Center, Ann Arbor, MI The Fine Art of Photography, Plymouth Center for the Arts, Plymouth, MA Perceived Realities 2015 MFA Thesis Exhibition, Columbia College Chicago President’s Residence (solo show),Paterson Art Walk, Aljira Fine Art (group shows), What Work Is, Englewood Library (solo show), Figurative Impulse, Oualie Arts Gallery, and What Work Is, American Labor Museum (solo show). His work explores the personal interior spaces of working people, (in particular the employees of Great Lakes Reload and his family in Paterson, New Jersey) the textures of a working life and the banal indicators of domesticity that shaped his view of the world, both as a first-generation immigrant and laborer. In addition to this work he continues to photograph his family as part of an ongoing project in which he looks at his relationship with his parents.