Juan Orrantia

Photographer
   
Why would...
Location: Johannesburg, South Africa
Nationality: Colombian
Biography:                   www.juanorrantia.com   
Public Story
Why would...


In 1986 Chris Marker released his famous film Sans Soleil (Sunless). Partly based in Guinea-Bissau, this film posed questions about history, memory and the passing of time. Marker saw the small African country as a pole of survival, a site of liberation where the anticolonial leader Amilcar Cabral led a revolution that resulted in the first independence of Portuguese colonialism in Africa. At that point, it was a site of hope, sharing anticolonial solidarity strategies with places like Cuba and Brasil. But things didn’t turn out that way. Cabral was assassinated and a series of betrayals began. Today the country is considered a failed state characterized by political volatility, poverty and corruption, often labeled the “first narco state” due to its role as a bridge in the distribution of South American cocaine to Europe. I travelled to Cabral’s hometown in search of his traces and soon found myself wandering among the debris of colonial legacies, loose presences of Cold War solidarities, greed, and murky realities. So I focused on a space of imagination to speak to a more complex unfolding of history, to the way dreams have settled under the passing of time. Ultimately, I wanted to follow the question asked by Marker about Guinea- Bissau: “Why would so small a country, and one so poor, interest the world?

Medium format film, low quality film, and appropriated images(Portuguese Fascist propaganda films)


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By Juan Orrantia —

VISUAL STORY

Like Stains of Red Dirt

By Juan Orrantia — Coming soon Winner,  Fiebre Dummy Award 2019
VISUAL STORY

Is this Tomorrow (Fotofria)

By Juan Orrantia — Is this tomorrow  (2018). Collaborative project with Zahara Gómez and Mauricio Palos .    Taking its name from the 1947..
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Normalcy

By Juan Orrantia — When I arrived 6 years after the massacre there were no statues, no monument, nothing to remember the tragic day. “We carry it in our bodies,..
VISUAL STORY

There was heat that smelled of bread and dead fish

By Juan Orrantia — There was heat that smelled of bread and dead fish is conceived as a journey through the passing of time under the shadows of colonialism, war and..
VISUAL STORY

Residues

By Juan Orrantia
VISUAL STORY

The afterlife of coca dreams

By Juan Orrantia
VISUAL STORY

While I was thinking about sex

By Juan Orrantia — Fragments of adolecent memories and the shaping of masculinity. (ongoing)  
VISUAL STORY

Escapees

By Juan Orrantia — It almost became a topic of dinner conversation. Should we leave? To Miami or to New York? By the early 1990s the war declared by Pablo Escobar..
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