Juan Orrantia

Photographer
   
Escapees
Location: Johannesburg, South Africa
Nationality: Colombian
Biography: Juan Orrantia makes photographic works that involve subjective approaches to the postcolonial condition and experiments with the representational function of the image. For this he explores different modes of photographically interacting with... read on
Public Story
Escapees
Credits: juan orrantia
Updated: 07/05/16

It almost became a topic of dinner conversation. Should we leave? To Miami or to New York? By the early 1990s the war declared by Pablo Escobar meant bombs were going off and killings taking place more often than not. A plane had been blown up in mid air, a politician almost killed with a rocket launcher. The level of violence was almost incredible, and still in a sense it was a defiance to the many years of class separation that money was now confronting. People were ready to flee, and New York and Miami were favorite destinations.

New York had been attracting Colombian migrants since the 1960s, and many were now fleeing there in pursuit of the American dream and a peaceful environment. But so were the drug dealers and barons. After all, this was the major port of entry, the other side of the business, the place for connections, sales and ultimately where it all took place. Soon, the cold streets of Little Colombia, as the area around 82nd st. and Roosevelt Ave in Jackson Heights was known, saw the unthinkable. Journalists being gunned down in plain daylight at restaurants, police officers confronted with bribes that were impossible to refuse, and men with guns shooting in celebration after a football game. The clubs that filled Roosevelt Ave were now loaded with gorgeous girls, raucous fashion, high end prostitutes and every other famous singer that was brought here by barons, flown in from Colombia and Mexico.

And then it all started to change. After the death of Escobar people fled, barons went under. Little Colombia was left to its own (not so glorious) fame. Average Colombians lived now with the stereotype of the narco while other mafias started to take over the business. The image was to powerful to erase, and those who could, left to the suburbs of New Jersey and Long Island.

This foldout booklet revises this history and its leftovers by way of the airplane crash that took place on January 25, 1990 as the Colombian airliner Avianca Flight 52 made its descent into JFK airport.

(2013)

2,388

By Juan Orrantia —

VISUAL STORY

Like Stains of Red Dirt--Book

By Juan Orrantia — ​ Book available ​​​ Like Stains of Red Dirt Like Stains of Red Dirt brings together a series of moments..
VISUAL STORY

Like Stains of Red Dirt--Book

By Juan Orrantia — ​ Book available ​​​ Like Stains of Red Dirt Like Stains of Red Dirt brings together a series of moments..
VISUAL STORY

Like Stains of Red Dirt

By Juan Orrantia — Like Stains of Red Dirt Like Stains of Red Dirt brings together a series of moments that recognize an..
VISUAL STORY

Why would...

By Juan Orrantia — In 1986 Chris Marker released his famous film Sans Soleil (Sunless) . Partly based in Guinea-Bissau, this..
VISUAL STORY

Is this Tomorrow (Fotofria)

By Juan Orrantia — Is this tomorrow  (2018). Collaborative project with Zahara Gómez and Mauricio Palos ...
VISUAL STORY

Normalcy

By Juan Orrantia / Colombia — When I arrived 6 years after the massacre there were no statues, no monument, nothing to remember the..
VISUAL STORY

There was heat that smelled of bread and dead fish

By Juan Orrantia — There was heat that smelled of bread and dead fish is conceived as a journey through the passing of time..
VISUAL STORY

Residues

By Juan Orrantia / Africa, Mozambique
VISUAL STORY

The afterlife of coca dreams

By Juan Orrantia / Latin America, Colombia
VISUAL STORY

While I was thinking about sex

By Juan Orrantia / Latin America, Colombia, Bogota — Fragments of adolecent memories and the shaping of masculinity. (ongoing)  
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