Cate Dingley

Photographer / Based in Santa Fe, New Mexico

CATE DINGLEY (b. 1989) is a photographer based in Santa Fe, New Mexico. In 2018, Dingley was selected by Magenta Flash Forward as one of 100 international emerging photographers and in 2017 she was listed by TIME as one of 34 female... read on
Focus: Photographer, Writer, Fine Art, Documentary, Photography, Portraiture, Culture
Skills: Image Archiving, Photo Editing, Black & White Printing, Curating, Exhibition Design, Photojournalism
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About
Available in: Santa Fe, New Mexico
Focused on: Photographer, Writer, Fine Art, Documentary, Photography, Portraiture, Culture
Skilled at: Image Archiving, Photo Editing, Black & White Printing, Curating, Exhibition Design, Photojournalism
Coverage Regions: USA & Canada
Languages Spoken: English, conversational French, beginner Portuguese
Years of experience: 6 to 10
HEFAT certification? no
CATE DINGLEY (b. 1989) is a photographer based in Santa Fe, New Mexico. In 2018, Dingley was selected by Magenta Flash Forward as one of 100 international emerging photographers and in 2017 she was listed by TIME as one of 34 female photographers to follow. Dingley has been featured in solo and group exhibitions across the U.S. and her work been recognized by American Photography and the Center for Documentary Studies. In 2017 she co-curated Donna Ferrato’s retrospective “American Woman: 40 Years” in Cortona, Italy, and she also produced and curated “Rear Windows,” a contemporary documentary photography show at the Invisible Dog Gallery, Brooklyn in 2015. Editorial clients include The New York Times Magazine, Bloomberg Business, The Wall Street Journal and The Washington Post. Recently, The Artist Edition published Dingley’s first monograph, "Ezy Ryders," a hardcover book of photographs and interviews, alongside a solo exhibition of the same name at the Copenhagen Opera House.

Dingley is drawn to people who live their lives-apart; those who lead a passionate, unusual, or transgressive existence on the edge of visible society. Her projects follow subcultures that are hidden in plain sight, traces of history thought long gone, and groups that live by a code of tradition and ritual. Through a respectful approach to the people she photographs—usually with the intimate and collaborative spirit of portraiture—she collects moments of surprise, oddity, and honesty.

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